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Kamis, 18 Juni 2015

Download Ebook , by Christopher Dunn

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, by Christopher Dunn

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File Size: 5535 KB

Print Length: 320 pages

Publisher: Bear & Company (August 1, 1998)

Publication Date: August 1, 1998

Sold by: Simon & Schuster Digital Sales Inc.

Language: English

ASIN: B005IQ65B4

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At last a voice of reason! Every once in a while a fresh view on something old finally comes along. I read this book with relish. Mr. Dunn is no dummy and he knows his stuff. I have ready many books on the pyramids and some of them I throw across the room in disgust--not this one!It is amazing how the "Main Streamists" insist that the pyramids of Giza were tombs when no body has ever been found inside them. They are not decorated inside like a tomb--not built like a tomb. Mr. Dunn is right as far as I am concerned. His arguments make so much sense and he backs them up with his knowledge of engineering.Mr. Dunn has undoubtedly taken a lot of flack and criticism for his views as has Robert Schock. These two men have risked their reputations, tenure, etc. to speak out. A new voice is always listened to with suspicion. Hats off to the men and women of the fresh voice who take us forward to new theories and new knowledge. Thank you, Mr. Dunn, for your forthright opinions and years of research trying to bring us kicking and screaming into a new realm of possibility. This is a wonderful book and an amazing book. I am awed by it!

First; a brief comment about another reviewer. I was looking over some of the old reviews before publishing mine, and out of curiosity I read a 'One-Star' review that was particularly harsh (not to mention lengthy) on Mr. Dunn's work. What I find most disturbing is the fact that it was written by the co-author (Marge Morris) of 'The Pyramids an Enigma Solved." This is a book that I have read and found to be intellectually stimulating, well written and relevant. What I find most distasteful is the fact that this fellow researcher and author, would use this forum to dismiss Mr. Dunn's hard work and research, and then go to great length to promote hers. I would like to believe (since we are all striving to better understand the mysteries of the ancient world), that there is room for more than one theory. Particularly when we are dealing with something as enigmatic and controversial as this subject appears to be. I am sure that Mr. Dunn has had to develop a thick skin over the ensuing years, due to the provocative and novel, leading edge ideas he has posited.Even though her particular review was written many years ago. it is still no less than small-minded, self-promoting, and above all unnecessary.Okay (now that I have that off my chest); this book was published in 1998 and I didn't get around to reading it until 2012, which means I'm a bit behind the 'Power' curve (pun not withstanding), yet as they say "better late than never." I'm so glad this book finally came to my attention and that I took the time to read it. That may have been due to seeing Mr. Dunn on the History channel being interviewed for the show "Ancient Aliens" (a popular show with an unfortunate name that implies everything has something to do with aliens, which I question but do not dismiss completely; I just think there are perhaps other alternatives?). I have also heard Mr. Dunn's interviews on the Coast to Coast late night talk show as well as 'youtube' videos of his presentations and have always found him to be intelligent, forthright and sensible. I would be remiss if I did not add that other theories aside, his appears to bring us much closer to some ultimate understanding of what this mighty edifice of precision engineered stone is all about.I have had the good fortune to have actually taken the tour inside the Great Pyramid of Giza, as a serving member of the USAF back in the mid-nineties. It left indelible impressions on me, and my regret is that as a young man I did not have the understanding or appreciation of Egyptian culture and her monuments, that I now have some twenty years later, after much reading and research on the subject. Back then my understanding of Egypt and her history was based on what I had seen in movies or on TV. Having made that clear, I very well remember walking (more like a stooped crouch as I recall) awkwardly up the ascending corridor and wondering why was it necessary to have a makeshift wooden ramp with cross-members to help tourists and the general public safely ascend to the Grand Gallery; could not the architects have incorporated stairs? Although I did not dwell on such a trivial (to some) issue at the time (due to the overwhelming sensory input akin to a child exploring a mysterious place for the first time), however I was subliminally aware that something was amiss; something did not add up?I was further baffled by the strange configuration of the Grand Gallery, with its odd architecture of corbelled sides rising up and towards each other for some inherent, and yet occluded purpose? Still believing what I had always been told; that this great mountain of stone was built with the sole purpose as a pharaoh's tomb. Upon gaining access to the so-called "Kings Chamber" with its much abused "sarcophagus" (?), I was startled to find that the walls (of which are perfectly flat and squared at the corners) were oddly devoid of any markings? Save for the questionable markings of red ochre paint attributed to the builders (this was unknown to me at the time) who in the manner of 'graffiti' painted the name of their pharaoh who supposedly commissioned this monument for his burial place. These suspect markings were"allegedly" found by one Col. Vyse in 1837, in the (so called) "relieving chambers" directly above the Kings Chamber; which had to be blasted open with gunpowder, no less!There was (is) absolutely no sign of hieroglyphics to be found anywhere else within this immense structure! This from a culture known to cover its monuments and funerary walls with numerous hieroglyphs in honor of deeds accomplished, feats to be remembered, as well as praise for their 'god-like' pharaohs, and with great detail. And yet nothing of the sort is found here; nothing save perfection in stone; stone which feels and looks much older than the attributed 4th dynasty origins (circa 2500 B.C.).Perhaps the author himself said it best when he wrote; "I was astonished and could find no logical resemblance to any feature one would find in a building constructed for human activity."It does make one wonder, if the Great Pyramid was not built for human activity (alive or deceased), than just what the heck was this monumental undertaking designed to do? This is exactly What Chris Dunn, a master craftsman and engineer dares to answer in his ground-breaking and paradigm shifting treatise, which posits no less than the unthinkable; that this mountain of precision engineered stone just might have been designed to "machine tolerances" beyond anything reasonable in the architecture of "HUMAN" habitats or structures, to function as a MACHINE! Or more specifically a "Power Plant," (the functioning details are found in his book).Let's review what has come to light in the last several decades:1. The thee main pyramids of Giza, are aligned to the three bright stars of Orion' belt; thanks to Robert Bauval and his "Orion Correlation Theory."2. The Great Pyramid has been called "The Bible in Stone" by some, due to its antiquity (pre or post deluge?) and the esoteric knowledge built into it by its creators.3. The three main pyramids as well as the Great Sphinx were intended as a set of monuments coeval with an unknown yet interconnected purpose.4. The Sphinx at Giza is far older than previously thought, as evidenced by the "water erosion" apparent on its (un-refurbished) sides as shown by Dr. Robert Schoch; (which would suggest coeval antiquity of the Giza complex as a whole).5. The exterior dimensions of the Great Pyramid show that the builders had knowledge of the circumference of the Earth, our distance from the Sun, as well as the precession of the equinox(s), with its 26,000 year duration , which the ancients called the "Great Year."6. The interior design of the Great Pyramid is unusual, enigmatic and serves no (known) human function imaginable, based on our understanding of architectural science for the human species.7. The (so-called) architectual "Relieving Chambers" layered above the (so-called) "Kings Chamber" (named from the Arabic perspective); are in fact "Relieving" what exactly? The massive weight from above? And yet considering that this chamber is several courses above the (so-called) "Queens Chamber - situated well below it, for which the architects saw no need for "relieving chambers," even though there must be millions of additional tons of stone above it? Clearly these spaced and layered chambers above the 'KC' had another function; (of which Mr. Dunn has an interesting idea that has to do with resonance as I recall).8. No mummified remains of anyone were ever found in the Great Pyramid. And as for the others it is my understanding that any found were from much later periods and in the best tradition of "re-purposing" an already existing monument!9. Contrary to what mainstream Egyptologists would have us believe, Khufu (Gr. Cheops) did not have this pyramid built, but rather inherited it intact, as a legacy structure form a former age, just as the stele found between the paws of the Sphinx has implied.10. The so-named "Gang of Khufu" did not write his name with red ochre paint in the crawlspace of one of the relieving chambers; this was a fraud perpetrated by a glory-hound and fund seeking explorer "wannabe" of Egyptian antiquities; who has been characterized as the "Black sheep" of his family. We find Colonel Vyse, along with his cohort(s) in crime, who accomplished this heinous act of fraud after blasting his way into a sealed cavity, in 1837. This outrageous act of fraud has 'mucked-up' our understanding of these monuments to this very day, IMHO. (See the late authors Z. Sitchin's "Stairway to Heaven," Chapter entitled "Forging the Pharaoh's Name." Also The late Phillip Coppens, "Murder and forgery inside the Great Pyramid?" As found online; both provide in-depth perspective on this travesty).The ten items offered above, are but the tip of a vast iceberg of information concerning this subject; the list of incongruous anomalies and found revelations, could go on for several pages. And now we must add the very real possibility that a primary function of this last existing 'wonder of the ancient world', may have been a cleverly designed source of (free) power or energy as well? It is exciting and boggles the mind, but don't expect mainstream, conventional Egyptology to climb on board any of this any time soon. They are content to believe the lie about Khufu. They are loath to admit that Victorian era antiquarians may have mislead those extant institutions of higher learning for fame and profit. A legacy that muddles the picture and hampers a fresh perspective.For me personally, after all the books I've read on this particular subject; I have come to the conclusion that we are dealing with something far older than we dare imagine. A multi-faceted and purpose built structure, designed by a culture seemingly far brighter than we think we are. A structure (including others on the Giza plateau) that are so 'hoary with age' that they were inherited and, Here's the key, "repurposed" over time by younger civilizations who had forgotten the true genesis of these structures, or who the original builders might have been? These later cultures tried their best to copy these pyramids, and mostly failed to execute such lasting edifices. Hopefully one day we will learn who really built these Giza pyramids, we may never fully comprehend how. For as advanced as we "think" we are, those answers still elude us.In my mind the notion of a "Power Plant" built with machine precision, is not too much of a stretch of ones imagination. Even if this isn't the case, and its intended or inherent purpose was something else altogether; I think many would agree that the Great Pyramid is of a much older provenance, regardless of what mainstream Egyptology (including a shady character named Zawi Hawass) would have us believe. As for Khufu (aka Cheops) being the commissioning pharaoh of this massive and enigmatic undertaking; there is very little, if not suspect or contradictory evidence that he was indeed the guy that said "let it be built." However the evidence (if one is open to it) would suggest that Khufu did, in fact "inherit" the Great Pyramid, which to my thinking is much more plausible.Mind you this was a culture who venerated their esteemed pharaohs with cyclopean statues and yet we find but just one statue of Khufu (now in the Cairo museum) which stands a mighty 3 inches tall! Yeah that makes sense; are we to believe he used up all his "pharaoh monument points" on the Great Pyramid? Sure, that must be what happened. I can just see Biff thumping on Marty's dad's head now, as he shouts; "Wake Up Mcfly!"Perhaps we are the ones that need to "Wake UP" to the true heritage and legacy of our ancient ancestors. Taken collectively, all the cyclopean, monolithic and enigmatic stone structures found all over this planet, it is increasingly clear that we are missing something profound and wondrous about our very ancient, and un-doubtfully 'pre-cataclysmic' past.Read Mr. Dunn's book and decide for yourself. I think you will find that his thesis is very credible, extremely astute and helps to explain some very unusual design features within this enigmatic structure. His book is well written, captivating and hard to put down.

Enjoyed a refreshing look at the remains of ancient Egypt by a qualified engineer. His evidence for construction with advanced methods is interesting, observable, and logical. If our civilization had taken Tesla's research seriously instead of our oil-based, greed-motivated combustion economy, our engineers may developed other methods of generating electricity. Then again, modern Egypt and the Middle East wouldn't have sold any oil.To paraphrase Arthur C Clark:If a scientist states that something is possible, it's almost certainly right.If a scientist states that something is impossible, it's probably wrong.The only way of finding the possible is to go past the impossible.Advanced technology is indistinguishable from magic.

Since I have a bachelor's degree in manufacturing engineering and am now retired, I found Chris Dunn's theory to be particularly interesting. I know from my own shop experience just how difficult it truly is to repeat high tolerance work on even small, as in what you can hold in the palm of your hand, parts much less something the size of the King's Chamber. And since one of my main functions was chief estimator for putting a price to this kind of work, I also have a pretty good handle on how much work like this costs. So, to suggest that the ancients would put this kind of effort, and cost, into a mere burial chamber is ludicrous, at best. So, if the Giza complex was not built as a burial complex, then what the heck was it built for? And why? And what, other than a finely tuned and superbly crafted machine, would require such an incredible level of high tolerance work and more importantly, repeatable high tolerance work, done over and over and over again. In my opinion, Chris Dunn's work is truly an amazing discovery as well as a masterful piece of detective work. Truly Amazing.

This exploration of the Great Pyramid at Giza is absolutely astonishing. Of the hundred of books I have read in the "fringe" genre, this is definitely one of the very best. Christopher Dunn demonstrates how precision machining was used to create many of the artifacts in and around the pyramid--techniques that rival (and often surpass) those employed today. Dunn expertly shows how the notion of slave labor working with copper chisels and ropes to create these artifacts is simply absurd. A veteran engineer himself, Dunn adroitly presents one of the most compelling and intriguing theories about what the pyramids were (probably) actually for: mass energy production and distribution. This book will literally change everything you know about the ancient past. An absolutely incredible read!

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Rabu, 17 Juni 2015

Free Download The Tunnel at the End of the Light: Essays on Movies and Politics

Free Download The Tunnel at the End of the Light: Essays on Movies and Politics

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The Tunnel at the End of the Light: Essays on Movies and Politics

The Tunnel at the End of the Light: Essays on Movies and Politics


The Tunnel at the End of the Light: Essays on Movies and Politics


Free Download The Tunnel at the End of the Light: Essays on Movies and Politics

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The Tunnel at the End of the Light: Essays on Movies and Politics

Review

“Shepard may be the best lesser-known film critic.” - Peter Biskind, The New York Times Book Review“It’s a pleasure to read Shepard’s graceful prose, and the insights just seem to flow from his pen. [These essays] remain vital for precisely the reason that the films they discuss remain vital: they balance entertainment with deeper concerns about morality and society. . . . This collection shows Shepard’s voice to be as essential as ever.” - Publishers Weekly, Starred Review“Shepard displays a talent for sharp film criticism laced with equally penetrating political insight. . . . Amid the thumbs up or down style that dominates 21st-century American film criticism, Shepard's provocative engagement with this art form offers a bracing change of pace.” - Shelf Awareness“Intriguing and surprising . . . [Shepard] finds new relevance in every movie he endeavors to explore.” - Kirkus“As our new president continues to make fresh breakthroughs in reckless buffoonery, it can be tempting to cast 'a rosy glow backward' on George W. Bush and his policies. In this astringent and witty collection, Shepard argues convincingly that to do so would be a travesty.” - The Washington Post“Fans of Jim Shepard’s wonderful fiction will be further entranced by the range, scope and emotion of his nonfiction work.” - Highbrow Magazine

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About the Author

Jim Shepard is the author of seven novels, including most recently The Book of Aron, five story collections, including Like You’d Understand, Anyway―a finalist for the National Book Award and won The Story Prize―and editor of the anthology Writers at the Movies. He lives in Williamstown, Massachusetts, with his wife, three children, and three beagles. He teaches at Williams College.

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Product details

Paperback: 272 pages

Publisher: Tin House Books; 1 edition (September 12, 2017)

Language: English

ISBN-10: 1941040721

ISBN-13: 978-1941040720

Product Dimensions:

5.1 x 0.8 x 7.8 inches

Shipping Weight: 10.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,050,421 in Books (See Top 100 in Books)

It may not be the best way to review a book, but all I have after reading Shepard are questions. Where is this society we live in headed? How fast are we going? How long can we continue to delude ourselves about our destination? Our destination? Our means of travel? Maybe a closer look through the moving window of our cinema can be helpful. The landscape outside as we press onward, or backward, continues to change and the clues about our direction are confusing and, yes, disorienting. Jim Shepard is with us at the window, pointing out the landmarks, orienting and reorienting our journey as we pass station after station. This is not a book for film buffs or budding screenplay writers, it is a book about finding what is lost. It is as important an atlas as has ever been compiled. Like the medium it uses to navigate, even its unflattering portraits are entertaining. Shepard’s wit is as incisive as his close ups. This collection is not to be ignored.

Fascinating insights into movies we all know, and their relationship to contemporaneous cultural and political events.

I don't know of any other movie reviewer who explores so astutely how certain movies reflect the political culture and psychology of our time. That's why I was compelled to re-read a couple of my favorites almost immediately after finishing them the first time.When every political leader is a feckless narcissist or untouchable sociopath, it says something about where we're headed as a people. As an audience we are so easily seduced into sympathizing with maniacal or irredeemably flawed characters, entertained by sugar-coated history (see the essay about Saving Private Ryan) so long as the spectacle is profoundly visceral.My favorite essay argues that Chinatown is a stab at America's irreversible nihilism, driven by Polanski's intentionally macabre humor.It'd be nice if we could look back a decade or so from now and begin to see these essays as deeply jaded and more reflective of their time than the movies themselves. But fortunately (and perhaps unfortunately), that doesn't seem very likely.

Jim Shepard has long been one of my favorite short story writers. I was fortunate enough to meet him at a local bookstore where I bought this collection of essays. Mostly he discusses how movies reflect the mindset of the America that gave birth of them whether from Stephen Spielberg reminding the audience of heroism in the midst of the Holocaust or from Terrence Malick and Roman Polanski exposing the corruption at the heart of the American dream. He ties these back to the attitude of a public that elect leaders who keep getting us into disastrous wars. Highly recommended.

superb readable essays which greatly extended my understanding of the movies referenced, and gave me reasons to watch again with an enhanced understanding.Thinking about it I realise that I have rather casually seen some of these works on tv without really paying attention to the subtleties involved.I need to learn more about Mr shepards work.

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